Today, I have stumbled across an astonishingly fascinating series of video recordings and I am compelled to share them straight away. They come from Humanitas, a series of Visiting Professorships at the Universities of Oxford and Cambridge which brings together leading practitioners and scholars to explore major themes in the arts, social sciences and humanities. In one of the strands, Drama Studies, the visiting professors so far have been actor Vanessa Redgrave, director Greg Doran, playwright Athol Fugard and will be joined this year by another playwright, David Edgar. All of them are giants in their respective fields. Fugard speaks in three videos; firstly about the defining moments in his life and work, then about staging his plays and finally about his playwrighting process. In his first video Doran gives a practical masterclass looking at what clues Shakespeare puts into the verse for the actor and in the second, another, masterclass, this time on how Shakespeare spins rhetoric for the actor. However, my favorite, are the series given by Redgrave, doyen of the theatre on both sides of the Atlantic as well as prominent social activist. Click on the image below to take you to the first of a series of four lectures and panel discussions, entitled, not surprisingly, Theatre and Politics.
The 2015 series, with David Edgar, promises to be equally interesting and provocative as he explores contemporary playwrighting from a number of perspectives. In an article in The Guardian born out of his appointment as Humanitas Visiting Professor, entitled Is the playwright dead?, he is quoted talking about the anti-writer trend that he considers to be prevalent in current collaborative theatre making. This notion will form the basis for his first lecture and the article itself, my next blog post.