As the Hong Kong International Arts Festival kicks off this week with a trilogy of Samuel Beckett plays in the shape of Not I, Footfalls and Rockaby I thought I would share an interview with celebrated British actress Juliet Stevenson about her current role of Winnie in one of Beckett’s more accessible plays, Happy Days. Stevenson was interviewed by Heather Neill for Theatre Voice in January this year.
This particular show is a revival of a critically acclaimed production for Stevenson, as these reviews are testament to in The Telegraph and The Guardian. She has spoken extensively about playing Winnie and getting to grips with Beckett, one of them being an interview with Paul Taylor in The Independent. The productions of Happy days and Not I/Footfalls/Rockaby have brought about a rash of writing in the UK with regard to Becket and his work. One of them, Up to their necks: The singular joys of appearing in Samuel Beckett, written by Holly Williams for The Independent is great read, as is What lies beneath Samuel Beckett’s half-buried woman in Happy Days written by Beckett’s biographer, James Knowlson for The Guardian. Natalie Abrahami, director of Happy Days, spoke in January to the BBC Radio 4 programme Start The Week. This is the excerpt from that programme that carries her interview as part of a panel discussion about memory:
The production of Not I/Footfalls/Rockaby which we will have the joy of seeing here this week, is the original London production starring Lisa Dwan, on its way from playing internationally in New York and Perth.
Again, the reviews have been universally superb; The New York Times, The Telegraph, The Guardian and The Independent all throw superlatives at the production and Lisa Dwan in particular. Dwan wrote a piece published in The Guardian Beckett’s Not I: how I became the ultimate motormouth in which, not surprisingly, she talks about playing ‘the mouth’. You can see an excerpt of her in action here
One review spoke of the piece as being a ….deeply sobering and equally intoxicating experience…[and a] harrowing and beautiful production. I can’t wait.