As someone who (happily) tends to experience visits to the theatre with anything between 30 and 140 others in tow, the subject of today’s post has a certain appeal. Currently in-situ in Times Square, New York, the Theatre For One is open for business. Brainchild of set designer Christine Jones, Theatre For One is a mobile space, big enough for just one performer and one audience member. The website says:
Theatre for One commissions new work created specifically for this venue’s one-to-one relationship. Embracing serendipity and spontaneity, Theatre for One is presented in public spaces in which audience members are invited to engage in an intimate theatrical exchange and enter the theatre space not knowing what to expect. Actor and audience member encounter each other as strangers in this suspended space and through the course of the performance allow the divisions and distinctions that separate us to dissolve.
Now all of that appears a little pretentious, but a couple of articles and reviews, one from The New York Times and another from Exeunt, do make Theatre For One sound like something worth experiencing. In a programme for NPR, Neva Grant explores the growing trend for Intimate Theatre around the world:
I’ll leave you to make up your own mind about some of that. The taxi ride in Melbourne appeals though, as does the idea of a performance that lasts just 3 minutes.